Macbeth Coursework Essay Example for Free

Macbeth Coursework Essay Refer ring to the three main scenes that the witches appear in, write about the effect they give to the play as a whole and also how they influence Macbeth to behave as he does. Macbeth, a tragic story of how greed can corrupt the mind. Written in 1606 for King James the first, people did actually believe in witches. I my-self believe that William Shakespeare used the witches as the fuel for his play, I think this led to the massive success of Macbeth. When people thought of King James the first they may have also thought of witches. After all James did publicise his beliefs and thought in witches. He believed that they had an effect on his life. The people of his countries (England and Scotland) would have thought it was completely normal. Now a day, if someone accused someone of being a witch, the accuser would be looked upon in society as insane. The idea of witches over the years has simply dried out. In class we have watched and studied two different films based on Macbeth. One was Macbeth on the Estate. This was extremely different to what I expected. Produced in 1996 its quite a modern film. I thought it was incredible how they managed to use every word from Macbeth, (the play its-self) and fit it into a modern set. The film was filmed on an estate on Birmingham and the main characters were young street yobs! Personally I think it must have been a hard job for the film producers to re-film Macbeth into a modern time. Another film was just called Macbeth produced in 1971 its quite an old film. It was though exactly what I expected. It was a brilliant film and only a few features let it down. Music which I think plays a big role in films and plays because it allows us to understand the mood and feeling of the play/film. I think technology was to blame for this though! Did the witches have an effect on the audience? Yes of course did. Why? Simply because witchcraft played an big part in the lives of the people who lived during the period of the 1500s to the 1600s. I mean, going out to town, bowling is all normal but what about going to see the local witch been executed publicly? 300 years ago this would as normal as any of the activities above. Back then I think people were fascinated with witches. Witches held so much mystery and had a force of fear surrounding them. Of course this is what people thought, if people went to see Macbeth at the theatre in Leeds, obviously I dont think people would have as much interest as people 300 years ago. There would be interest in the witches Im not saying the opposite, but not as much as back then. I think it would make the audience wonder how and why the people of the 1600s lived like they did. The witches appear in three main scenes in Macbeth: Act 1 scene 1 Act 1 scene 3 Act 4 scene 1 In act 1 scene 1 they, to me, introduce the play. Although we often forget that the play is all about witchcraft, thinking about it, the witches do play an important part in Macbeth. I think when Shakespeare wrote act 1 scene 1 his intentions were to grip the audience at the very beginning. The witches do not appear to do anything in this scene it seems as if theyre there to introduce them-selves, they dont really appear for a reason. I think its just to hype the audience up for the rest of the play. In act 1 scene 3 the witches tell us basically what Macbeth is about. Shakespeare grips the audience even tighter when they say: FIRST WITCH: All hail Macbeth, hail to thee Thane of Glamis. SECOND WITCH: All hail Macbeth, hail to thee Thane of Cawdor. THIRD WITCH: All hail Macbeth, that shalt be King hereafter. I think Shakespeare here uses repetition really well. It adds mystery and feeling to the play. A Victorian audience at this moment must be really into the play. The mystery deepens even more when less than a few scenes away a messenger arrives to tell Macbeth that he is now Thane of Cawdor. A modern audience at this point must shiver with excitement. A Victorian audience may have done the same, after all these people did fear witches in their day. In act 4 scene 1 I dont really feel that this scene does much for the play. Some people may disagree and I can see why. I mean people sat their reading the book must be thinking, how the hell can a tree move? This is because Macbeth says: MACBETH: Who can impress the forest, bid the tree Unfix its earth-bound root? This will keep the reader wondering, I wonder when this prophesy will come true? I think they would think this because they want to see how the tree ends up moving this was clever on Shakespeares part this would have helped keep the audience interested. There are three prophesies all which tell Macbeth when to start worrying. The language the witches use is strange even for Shakespeares time! Another thing is that the lines are shorter than the lines in other parts of the play. I dont think this is a coincidence, I personally think Shakespeare did this to keep the witches rhymes simple. I think he did this to keep the audience interested and not put them off. The use of rhyme people often forget that poetic writing doesnt have to rhyme, in fact in the play there isnt really much rhyming going on, but when the witches speak in Macbeth therere speeches do rhyme unlike most parts of the play. To add even more mystery to the witches they use strange ingredients in their potions! I mean we all expect strange items but not that strange. Cats tongues, guts, eyes what more do we want? I think this would have helped Shakespeare with his audience. I think they would have loved the idea of witches around a cauldron especially James! Going back and looking at these two scenes: Act 1 scene 3 Act 4 scene 1 We see that Macbeth is involved in both scenes. In act 1 scene 3 we see Macbeth as a worrier for his country, a gentleman. In this scene he bumps into the witches with Banquo his best friend. From what I can tell Macbeth is a bit shocked I think this because he basically asks them what they are, I think he doubts that they are human. I think this because Macbeth says: MACBETH: Speak if you can: what are you? The witches then tell Macbeth that he shall be Thane of Cawdor then King. Banquo interrupting seems more enthusiastic about talking to the witches who then tell Banquo his children shall be Kings. Maybe Macbeth is trying to take in what hes just been told. I think Macbeth wants to believe the witches but he doesnt want to get his hopes up. Thats why hes looking for a reason, he asks: MACBETH: By Sinells death I know I am Thane of Glamis, But how, of Cawdor? The Thane of Cawdor lives A prosperous gentleman; The witches then vanish and Macbeth is left talking to Banquo. I think Macbeth is still avoiding taking about him been King, he says: MACBETH: Your children shall be Kings. In Act 4 Scene 1 we see Macbeth as a murderer and a evil man or should I say King. He barges onto the scene and demands answers from the witches I know this because he says: MACBETH: Howeer you come to know it, answer me: Three apparitions then go on to tell Macbeth three things: One that he should be aware of Macduff, Two that he should he should be aware of anyone not born from a womens womb and Three that he should we weary when the woods begin to move. I think at this point in the play Macbeth is worried about Banquos children and what the witches told Macbeth at the beginning of the play. I think this because he says: MACBETH: Can tell so much-will Banquos issue ever Reign in this Kingdom? The witches do not give Macbeth his answer. I think the reason for this is because if the audience know the answer to this question then they can figure out the end of the play. As Ive already said, I do think the witches played an enormous part in Macbeth. I also think that they play a rather big part in Macbeths life after all arent they really the ones responsible for King Duncans death? I think they are. I think this because at the end of the day the witches gave Macbeth the idea of killing the witch. I think as soon as the third witch says: THIRD WITCH: All hail Macbeth, that shalt be King hereafter. I think this is, in a way the poison been injected into Macbeths blood. Its only a matter of time before it begins to kick in, and when it does Macbeth will think up his plans to murder King Duncan. Another reason I think the witches are to blame is because Macbeth wouldnt have done it with out them I think this because Macbeth says to his wife when she pushes him into murdering Duncan: MACBETH: We will proceed no further in this business He also says: MACBETH: So foul and fair a day I have not seen. I think the above proves he wouldnt have murdered Duncan if he had not met the witches. I dont think the witches are all to blame though, I dont think Lady Macbeth helps either shes always trying to push Macbeth into committing murder. Some people in the audience may wonder if Lady Macbeth is a witch or perhaps the witches have put a spell on her? I have seen two different versions of the witches on screen and both were extremely different. Obviously the two versions were Polanskis version and Macbeth on the Estate. In Polanskis version the witches were what you would expect, old ugly women who lived in a dirty smelling cave but in Macbeth on the estates version the witches were played by three children who lived in an old abandoned flat. I thought this was a rather interesting (and clever) concept. Both films were very good but if I had to choose one which I thought was the most effective (concerning the witches only) I would choose Polanskis version. This is because the witches were exactly what I expect and want. You dont want sweet little children playing the part of horrible witches. It just isnt Macbeth. It rips the whole idea of witches into shreds or to be more precise it doesnt follow the stereotype. Some people may think this is a bad thing but I would have to disagree with them. However in Polanskis version the witches are brilliant theyre ugly, theyre old, theyre dirty and theyre naked. I also think Polanskis version was better because we saw the witches using magic. For example when they faded out into thin air. It was what I expected and the reasons above are the reasons I choose Macbeth over Macbeth on the Estate.

Flowcharting :: GCSE Business Marketing Coursework

Flowcharting A flowchart is a planning tool that uses graphics or symbols to illustrate the steps of a particular process. In a business organization "flowcharting, also known as logic or flow diagramming, is an invaluable tool for understanding the inner workings of, and relation- ships between, business processes." (Harrington, 86) There are four basic flowcharts, each having a specific function and they include: block diagrams, ANSI standard flowchart, functional flowchart, and geographical flowchart. Understanding and applying flowcharts normally will improve the quality of a company's product or service. The most common type of flowchart is a block diagram, also known as a block flow diagram. "Block diagrams provide a quick overview of a process, not a detailed analysis. Normally they are prepared first to document the magnitude of the process; then another type of flowchart is used to analyze the process in detail." (Harrington, 92) Block diagrams use elongated circles to depict the beginning and the end of a flowchart, and all activities in between are represented by rectangles with lines and arrows connecting each activity. Of the four basic flowcharts, the block diagram is the easiest to understand and use. As previously stated, a block diagram is a flowchart that is used as a starting point. Applying the ANSI standard flowchart makes a perfect follow-up flowchart that provides greater detail using additional symbols. A rectangle is used to indicate a change of operation. A diamond is used to indicate that a decision is to be made. The movement or transportation of property is indicated by a fat arrow while a slim arrow denotes the movement from one process to another. An elongated circle depicts the beginning and the end of a process. The amount of detail involved with the ANSI standard flowchart accurately depicts the sequence of events of a specific business process. Another type of flowchart is a functional flowchart. "A functional flowchart identifies how vertically oriented functional departments affect a process flowing horizontally across an organization." (Harrington 101) For example, the hiring process might begin with a manager realizing the need for another employee so his request would then be submitted to the controller to evaluate the budget. The controller would then ask the personnel department to conduct interviews to search for an employee to hire. Using either standard or block flowchart symbols works effectively with a functional flowchart.

Judgement Day

â€Å"First of all, let me apologise for our pathetic performance against Crystal Palace. Enough has been said about that already, and now we must focus positively on this afternoon's match. It's a game we must win, and then keep or fingers crossed about the eventual outcome. I don't want to think about the unthinkable. † The colourful, shiny programme I held in my hands trembled as I read this. It was from the weekly interview with the Portsmouth F. C. manager, Graham Rix. It sounded a long way away from the cool and collected manager, who had denied all problems and remained optimistic until this day. For you see, this was no ordinary day, no ordinary Saturday match for the inhabitants of the bustling south coast city of Portsmouth. This was like something out of a cheesy American movie. It was the last day of the season and, as they had been forced to do four times in the last six years, Portsmouth had to win to stay in the division. It was their own fault really, as many a Pompey fan would admit. They had spurned their chance to escape this last day nerve-jangler only three days prior to this momentous day. The chance had arisen when they played Crystal Place, the team one place below them, the place feared by managers and fans alike, the final relegation place. It had been a cold, damp night at Fratton Park, and yet still, the Pompey faithful wore only the shimmering blue and gold shirt, onto which, the Portsmouth badge was stitched. They had turned out in there hoards, believing this would be the night when our troubles came to an end, and after which we could relax, safe in the knowledge that we would remain in Division One for at least one more year. It was evident as the match kicked off that all was not well, as Palace stroked the ball around the park with ease, confident in their own surviving ability. This confidence paid off, and, within the first ten minutes of the match they had scored. They kept going, and by half time they were leading the uncomfortable looking ‘royal blues' 3-0. The rot continued, and despite a bright spell of ten minutes, in which they clawed it back from the brink to 3-2, the final score was one of woe for Portsmouth. The match finished 4- 2, with Portsmouth playing abysmally, and giving themselves a severe up hill struggle, needing to win by two or more goals on the last day, against a strong Barnsley team, whilst also counting on Crystal Palace or Huddersfield to lose. The crestfallen fans trudged home, pouring into the gloomy streets, no doubt feeling as bad as the dire weather. There were mutterings of discontent all over the town, about the manager, about the team, and most worryingly, about the future. It was obvious to me, from his emotional spill in the programme, that Rix had also felt this bitterness as he left the stadium. It was this I hoped, as I moved along with the surging mass of blue, that would keep us up, that finally we had a manager who cared about the team, not just his bank account. I noticed that, alike the sea of friends I did not know, I had been overtaken by a strange numbness, a sort of hollowness, which rendered me unable to speak or sing along with the rest. As I handed my ticket to the collector upon entering the lower east KJC stand, he seemed to notice my nervousness, and gave me a wink or reassurance, and told me it would be ok. This went a great deal to settling my nerves, but it was not nearly as soothing as the great roar that greeted me, as I stepped out from the stairs to find my seat, sifting through the cheering fans. It was quite simply breath taking; in all my life I am unable to recall another time when I had received such a rush of adrenaline. After taking to my seat I soon joined in with the familiar chants that had graced the ground for decades before, and lost my already quivering voice in the process. Then, the place went silent, as our chairman, Milan Mandric came out of the tunnel, looking as anxious as we all felt. He made a speech, which reverberated over the ancient tannoy, shaking the stands. He reassured us that this team was his heart, and we, were his blood. We were, in his eyes, the best followers he could have hoped for, and he then thanked us for coming, and made his way up the stairs of the stand, and sat down among the fans, much to their delight. The team then crossed the threshold of the tunnel, and entered the hallowed turf of Fratton Park to a standing ovation. It was the biggest game of their lives, but they did not show it, warming up as usual, and signing autographs for the children. Then, as they stripped from their training kits to reveal the kit, that every young boy from the area dreams of putting on, the ground seemed to take on an eerie silence. This continued for a few more minutes right up to the start of the match, when only then it was broken by the referees whistle, signifying one of the most important games in the history of the club, and certainly the most important in my short lifetime. This was it! This was the match! All of 16,000 people, the capacity crowd at Fratton Park held their breath, said their prayers, and hoped that after the ninety minutes had ended they would be cheering again. As the whistle sounded the crowd exploded into noise, with the fans hollering out the traditional morale boosting songs, unique to Portsmouth. Barnsley didn't know what hit them. From the start they faced wave after wave of attack from the blend of youth and experience that was the Portsmouth team, most of which broke onto the defensive rock that was Darren Barnard, the Welsh international. Then, as time went on the constant pressure applied from Portsmouth began to show, the lackadaisical Matt Appleby pondered too long on what to do next and was caught in possession by the energetic local boy, Gary O'Neil. He powered his was down the wing, and swung in an accurate, curling cross. This was met by the huge frame of die-hard Portsmouth fan and player Lee Bradbury, who powered the Blues into the lead by steering the ball past the hapless keeper, Kevin Miller, into the net. Before the ball had even touched the floor the crowd were on their feet, sheer jubilation running through them, as they hugged strangers, and friends alike. They could sense something special was on the way. I leapt up from my seat, throwing my programme to the floor, and cheered all I could, losing my voice, which I had only just regained. Among the crescendo of clapping and cheering the game had already started again. There was a buzz among the crowd, as the players in blue seemed to swarm the ill-fated Barnsley defence, pouncing on every mistake. After a swift attack in which Barnsley committed many men forwards, Portsmouth broke, tearing up the field, sweeping the ball from left to right. Lee Sharpe came up with it, on the left flank, and violently lashed it centrally, towards the advancing run of Gary O'Neil. The wayward defence watched, as he cut through them expertly, until he had a clear chance at goal. I was amazed at his composure, as most experienced players would, by now, just have belted it goal bound and hoped for the best, but O'Neil calmly and collectedly dinked the ball over the advancing keeper, and landed it in the far corner of the goal, where it rolled over the line. The crowd again detonated a chorus of cheers and clapping. O'Neil ran over to the crowd in celebration, and was instantly mobbed by the devotees, who were restrained by the stewards, who themselves were in a jubilant mood. All around me I could see happy faces, it was not their dream come true, but their nightmare vanquished, and I revelled with them in delight. It was, in hindsight, a little presumptuous of us though, to have celebrated already, as there was still another half to go. The first half in fact drew to a close with the booking of Bruce Dyer, who was beginning to get frustrated by the constant badgering from the home supporters. At half time the multitude of persons arose, and filed off, to get their customarily dodgy half time snack, of pies, tea and chocolate. Whilst down there though, many people began cheering, for what seemed like no reason, but then it was made public over the tannoy that at that specific moment in time both Huddersfield and Palace were losing, and if all stayed as it was we would stay up. Still, I was worried, football is a cruel game, and Portsmouth had been known for conceding late goals, costly ones. As I stepped back out onto the terracing I glanced around at the surroundings. It was an ocean of blue, shone upon by the sun, on a hot May afternoon. It all seemed calm, all problems washed away, knowing that we were all in this together, and that, come rain or shine, we always would be. It was a touching moment I can assure you. The next half continued as the first half finished, which was brilliant from our point of view, as we had been playing out of our socks for the first 45 minutes. The players had obviously deliberately not been told about the results elsewhere, as they still set about their task with a great sense of urgency, giving their all. The more and more we attacked the more defiant Barnsley became, and soon the constant failure of all of Portsmouth's attacks began to frustrate some of the Portsmouth players. What happened next horrified the Pompey faithful, as an off the ball argument soon developed into a brawl, in which Shaun Derry crudely head-butted Barnsley's captain Neil Shipperly, breaking his nose. For this pointless act of violence Derry was rightfully dismissed, and even the bluenose Portsmouth fans did not complain. Whilst Shipperly was replaced by Rory Fallon, Portsmouth adjusted their formation to cope with being a man down. There were whispers behind me that this was the changing point, and that all our good work had been undone. It was a worrying time to be a fan, and the jitteriness of the crowd returned. But my worries were soon quashed, as Portsmouth seemed not to be affected by their numerical disadvantage, and played some lovely flowing football, all applauded riotously by the fans. It was a long period of sustained build up play that led to the third goal. The ball had been played backwards, and forwards, as Portsmouth, instead of launching high balls over the top, decided to probe their opponents, and retain possession. This worked a treat, as a great link up between O'Neil and Mills put through Bradbury, who, with endless space took the ball cheekily around the keeper, and slotted the ball home, into the unguarded net. Barnsley were broken, their spirit crushed, they had been out played in every dimension and they knew it. The crowd also knew it, and sung out in great approval, as the minutes passed by at a snail's pace. After what seemed like an eternity the referee began to look down at his watch. At this the Portsmouth fans prompted him by whistling to a deafening pitch, and after two more minutes of this the referee, who had performed well, blew for time. For a second there was silence, an aura of disbelief swept over the stands. I stood there taking it all in, pinching myself, aware that I had just been privileged enough to witness one of the greatest moments in the clubs' history. My train of thought was broken, by the rather poignantly apt ‘Great Escape' theme being blasted out of speakers all around the ground. The crowd got their voice back again, and scenes of celebrations soon followed. I was swept along, on a wave of euphoria with the crowd onto the pitch, where the players were lifted high above the heads of the crowd, on their shoulders. Flags were hoisted up around the ground, and the news cameras were all over the place, interviewing fans, interviewing players. I came upon one interview with the relieved Graham Rix. On one of the greatest days of my life, I stood there, listening to what he had to say, along with a great number of fans, who waited to congratulate him after. His words at first were serious, stating, that ‘this would never happen again. ‘ How many times I had heard that in the last six years. But there was something about this man, something different. He cared. We all knew it, and we all knew that he would do everything in his power to keep his promise. His next words struck a particular chord with me, and have stuck with me ever since. His face changing from one of happiness to one of ambition, as his delivered his final words, ‘just think how those fans would have reacted if we could really give them something to celebrate! ‘

Leadership Is The Leader, And One Where A Leader Inspired Me

Review of Subject This essay describes several personal leadership experiences, three where I was the leader, and one where a leader inspired me. Two of the experiences happened at work, while two happened in a non-profit organization among volunteers. In each experience, the essay presents the leadership style used and discussed appropriateness of the leadership behavior. These experiences led to new values and changes in ethical views and interpersonal relationships. The essay also explores the relationship between the leadership actions and organizational outcome. Discussion First leadership experience: transformational leadership. I was the operation director of an outsource contact center which helped clients in setting up and†¦show more content†¦Kapur (2016) wrote that job satisfaction depends on job attributes and work conditions and that five influencers are the job itself (occupation), the manager’s behavior (supervision), affiliation (colleagues), compensation (earnings), and career prospect (advancement). Moreover, career management and employee development programs increase organizational commitment and job satisfaction and help in retaining talent (Kaliannan, Abraham, Ponnusamy, 2016). Leadership outcome. Transformational leadership was useful in changing the values of the staff, and reducing staff turnover in an industry where turnover was traditionally high. Radda, Majidadi, and Akanno (2015) wrote that managers must respect and treat employees fairly, and must be committed to the organization if they expect their employees to do the same. In addition, many of the staff turned leaders began mirroring the leadership behavior they observed, and it created a culture of trust, fun, team work, and high quality in the company. This is consistent with a study’s finding that a leader’s authentic ethical behavior influences the behaviors of their immediate reports as well as those several levels below in the organizational hierarchy, and increases team level helping behavior (Hirst, Walumbwa, Aryee, Butarbutar, Chen, 2016). SecondShow MoreRelatedLeadership in Invictus1722 Words   |  7 PagesWorld Cup as an attempt to bring the whites and blacks together by finding pride in their home team’s victory. Mandela is successful at transforming the beliefs of South Africa through his styles of democratic leadership, transformational leadership, and interpersonal orientation leadership. First, Mandela idealized influence by working well with all kinds of people of different race. 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